Sunday, May 03, 2009
Thursday, September 25, 2008
Black Cup
And the white boy sits
By the empty black cup
Struck by the futility of it all.
Jeffrey Spahr-Summers
1991
Queen Nomzamo Madikezela
As a child
I dreamed of a finer
Than the one I know today.
I dreamed of my people proud
Coming home to their rightful place.
I dreamed of beautiful gardens,
Jarcaranda trees and Aloes along my stoep,
Food-a-plenty and a happiness
Of the sort that is born from freedom.
I imagined friendship with all races
And an attentive, gentle husband
Who would be a powerful man and our king.
I dreamed of love.
But I never dreamed of Mandela
And the heavy legacy of his name,
Barren cells, cold cement floors
And no shoes, or whistling bullets
Biting children before my eyes.
I never dreamed my people would murder
One another for favors from the tyrants.
I never dreamed it would come to this.
Jeffrey Spahr-Summers
1991
Coffee Cans and Petrol
Returning home once again
Armpits burning
Thick with ticks from the veld,
I quickly find a coffee can
Fill it with petrol
and pick the swollen things slowly
So their head don’t break off
And stay buried under my skin.
Then I drop them in the petrol
Where they pop like popcorn
And sometimes
Like Tom Thumb crackers.
Jeffrey Spahr-Summers
1991
On Apartheid
Thirteen years of silence
Flaws the eyes of a child
Still raw from the wild debate.
In awe of his fate
He withdraws
And waits.
And when he tries to relate
The violence,
The fear,
The cause,
He will deny
This thin pause
Between love and hate.
Jeffrey Spahr-Summers
1991
Seasonal Showers
in
In November
Jacarandas grow
Powerful summer flowers
Showy blue in hue
And throughout December
Violet showers blow
Just so
Like snow
Floating to and fro
Slowly
Down the flowing
Boulevards below
Jeffrey Spahr-Summers
1991
Cry of The Peacock Silenced
I
Stinging through the night
(always at night)
Whining
Like spiders climbing my spine,
The cry bites deep
Into vulnerable sleep
And suddenly dies,
As if wary of mourning
The eerie solitude of no reply.
II
Snagged without warning,
Exhausted
Feathers sagging
You stumbled upon me,
Eyes wide
Flinging your head
From side to side,
Gagging
From a crude wire trap
Slapped tight around you neck.
Out of fear (I think)
You wouldn’t let me near
And disappeared,
Dragging the morning behind you.
Jeffrey Spahr-Summers
1991
Coming of Age
for Mark Mathabane
The beauty of your curious garden
Is forever stained
A deep furious and painful red,
Framed without answers
Like questions left unsaid.
It is said
That some white men
Are led to believe
You are better off dead
And blame
your lot in life,
your children’s innocent strife,
On father Ham, because he made your bed.
But I’m not deceived
By these centuries of useless excuses
And I grieve
For the life you’ve led,
Thread bare
Spread eagle across the bed
Of your homeland,
Snared by the dreadful touch
Of a free man’s careless thrust.
And sometimes I believe
in freedom
and justice,
But sometimes I simply grieve
For the
Jeffrey Spahr-Summers
1991
Grasshoppers
I
Vivid red, yellow and green
Like a perfect plastic toy,
I made it a place in the freezer
(thinking to tease my sisters)
But returned to find it frozen,
Color faded,
Legs brittle and broken.
II
In
The natives favor them fried
And lightly seasoned for flavor
They are offered to tourists as such.
Jeffrey Spahr-Summers
1991
Rowboats at Arniston
Rowboats swaying with the surf
Jerk and tug at their moorings
(like dogs taunted by the leash)
As if they would be gone
From this pretty little village
Hushed by charming white cottages,
One straight barren road
And an empty white two storey hotel
Dozing on the deserted ripe beach
Between cliffs and brushed desert.
They want to be free
Of this intoxicating and lonely flower.
They want to search for people at sea.
Jeffrey Spahr-Summers
1991
Blackout
We live in
The American just arrived,
Bored with our novels and Yahtzee,
Candlelight sprawled on the floor,
We’re lonesome and lazy,
Weary of dark clouds crowding our door.
We wait for the downpour to end
And pretend for a moment it’s fun.
We wait patiently for the adventure
That has already begun.
Jeffrey Spahr-Summers
1991
Beware of The Floors
I marvel still
At how swiftly African spiders
Whip fear into the most fearless
Of daily chores
And how they stick to doorways
As thick as flies biding their time.
And unlike
Where Black Widows were deadly
And hard to see,
These monsters were big
And brown
And hairy,
Admittedly scary
From across the room.
As ugly as sin
But harmless.
In the beginning,
Our American logic
Convinced us
That to kill them was the trick,
So we picked them off
one by one
by one
And were stunned
That it made no difference.
So we learned
to accept their presence,
to arrange our fear
wary eyed
like pictures
around them on the walls.
We learned
to walk gingerly
across late floors,
to step in to bed prepared
aware
that they were bound to fall.
1991
10 Seconds to Live
Black lightning strikes
swifter than light
in theses corn fields
and you never know when
the pitch-black Mamba eyes
(black screaming endless black)
attack for no reason.
You are about to die.
Jeffrey Spahr-Summers
1991
Prime Time 1971
Not to worry now,
About the secrets
The silence
About the drugs and the alcohol
Or the sex flexing
Its muscles out in the yard,
The loneliness
The rage
Or laying blame.
Not to worry now,
About the hours lost
Tossed away like pages read,
Rustling through the house
Bled of interest.
It’s time to let down the guard
And conjure up games
Like Yahtzee, Pinochle or cards
Maybe even a play,
We’re good at charades.
Jeffrey Spahr-Summers
1991
Avocado Lovers
They meet in secret
And fight each other
For the ripest of the virgin fruit.
Shameless, they strip down
To piano teeth and pindot eyes
That flash like beacons
And leer at the avocado trees.
There is something like lust here.
And they dig, and dig in a frenzy.
They dig and lay their seeds
Deep under the trees.
They love the avocados.
They love to feel them slowly
And eat them without haste,
Without waste,
Without guilt.
They love to peel them gently
And indulge in the pasty taste
Until their bellies bulge and shine
Like their pregnant woman.
Snakes Never Stray Far From Their Mates
for Daddy George
A fact of nature, you said
Poised and ready to strike again
As we watched the Night Adder die,
Writhing its blood back and forth
Across the floor in front of my dresser.
There’s always a mate nearby, you said
And I hated you
For making me clean my room anyway.
The came the psychotic game I played.
Where would the second be found?
At my feet?
Wrapped around the toilet seat?
Or maybe
Lured to my bed by body hear
Like the stories I’d heard.
I should have known,
Two weeks to the day
On the very same spot,
Once again
A taste of blood
Pasted hot on the floor.
I waited by the door
Until I knew by your breathing
Another was dead,
Relieved there were no more.
Unless there are eggs, you said.
Jeffrey Spahr-Summers
1991
Soweto in My Pocket
Itching behind my father’s advice
don’t say anything son
it’s not like
don’t speak out
not even on the phone
it might be tapped
I fingered
A prickly fossil to be savored
Like the Southern Lights.
No cotton mouth African thirst
Ever made me question Hiskia or Anna
(little white boy on their heels)
But I let them tell me
Whatever they would...
boy when my people rise boy
they might want to kill you boy
i will not stop them
i cannot stop them
you are white boy
they are my people
Jeffrey Spahr-Summers
1991
Monday, February 18, 2008
Frank Talk
(murdered while in police custody in a South African prison in 1977)
Does it matter
that I was excited by the country,
that I was enticed
by the beauty, the danger,
the mountains, the valleys,
vineyards, beaches,
the vast array of insects, aloes,
leechies and peaches,
the leopards, the lions,
crocodiles, spiders and snakes,
the cries that hyenas make?
Does it matter
that I was astonished
by the way elephants' ears flap
when they're mad
and how they chase cars away,
how they flatten trees
just to scratch their backs,
the way anything will grow
if you just stick it in the ground,
the sound of a peacock's anger,
the lemonade?
Does it matter
that I was a foreigner,
that I was eleven years old,
foretold and blindfolded
but not bold enough to understand why
I was suddenly ashamed to be white?
Does it matter
that I learned to listen
and to watch,
to stop and consider the cost
of respect lost along the way,
to silently go away
sometimes afraid,
sometimes prepared to forget?
Does it matter
that I was taught to play rugby,
cricket, soccer, the guitar,
gymnastics and the fool,
that I was schooled hard
in fantastic stories
and useless attitudes
of what is right for a white boy?
Does it matter
that I was a prefect by nature
not a cadet,
that I let human nature
lure me in and out of love
and hate,
that I learned to see the line
between the two?
Does it matter
that I believe in freedom
and happiness,
that I was sixteen years old
when told we must go,
that I grieved
and that by then
I didn't want to leave?
Does it matter
that I found poetry
in the oceans surrounding me,
that I needed the pounding surf
to convince me of safety
in African nights,
to silence the unfairness of life?
Is it important
that somehow I always knew
all along
the lies weren't true,
that something was wrong,
that all was not well
in the land of sunshine and milk?
Jeffrey Spahr-Summers
1991